Today is ‘World Shakespeare Day’ and, while the Oberon team can’t seem to agree on whether it marks his birth or his death, we’re celebrating his life all the same! For this very special blog post, we’ve created a round-up of some of our favourite Shakespeare-themed books – all of which you can now have a snoop inside by clicking on the images below. Plays, memoirs and acting handbooks, all inspired by the man himself.
Not only that, but we’re offering 1/3 off on all of our Shakespeare-related titles with the discount code ONBIRTHDAY at the checkout on our website. I suppose that means it’s his birthday then, does it?
‘Andy Hinds offers a rich and detailed path towards a precise contact with the challenge of speaking and inhabiting Shakespeare’s language. This book is an immensely useful resource for anyone teaching, speaking and acting Shakespeare.’ Ralph Fiennes
‘It is to this book’s enormous credit that it focuses in depth on the nuts and bolts of getting lips and heads around the intricacies of verse-speaking without either shirking the difficulties or becoming stilted and dull… I wish I’d had this book when I was acting – I’m delighted to have encountered it as a teacher.’ Teaching Drama
‘Acting students and young professionals will flock to learn from him….passionate, entertaining… Indisputably wise and true… Wonderfully illuminating’ Telegraph
‘This is the most fabulously hybrid book – part actor’s handbook, part memoir – what is most inspiring is Hall’s conviction that form can be as exciting as feeling/ Acting in this way is more than just listening to Shakespeare – it is responding to Shakespeare’s linear needs’ Observer
‘As fascinating to readers as it is to actors.’ Independent
‘A mixture of theatrical history, opinionated views and personal reminiscences. Sharp insights, anecdotes and vibrant character sketches pour from [Weston’s] pen, as do dismissive put-downs… His book should be compulsory reading for any aspiring actor still labouring under the delusion that the profession is in any way glamourous… Weston may never have played Hamlet during his long career, but he has achieved something possibly more valuable. He has become, in Hamlet’s phrase, one of the abstract and brief chroniclers of the time.’ Mail on Sunday
‘A blend of travelogue, actor’s memoir and historical meditation… Asbury observes how the rival colours, the red rose for Lancaster and the white rose of York, define an insuturable cut that persists in Britain today… the bonds of history assert themselves in the midst of precincts and skateboarders.’ Times Literary Supplement
‘An enjoyable and sincere grand tour… fortified with pork pies and pinot grigio, accompanied on occasion by fellow Royal Shakespeare Company actors, and alternating between a campervan named Bongo and an open-topped MG, Asbury combines theatrical reminiscence and historical narrative.’ The Times
‘This is a remarkable, challenging and bravely original work.’ Guardian
‘Toni Morrison’s language is superbly poetic – she’s admirable in her reckless unconcern that she will be compared to the Bard and come off the loser.… There are tremendous passages of writing, of music and some sterling performances… thought-provoking, with many magical moments.’ The Arts Desk
‘A rare and delicate show that shines a new light on Shakespeare’s tragedy.’ La Croix
‘A witty and fiercely anti-colonialist revision of Shakespeare’s island fling… the play, in Philip Crispin’s admirable translation, lends Shakespeare’s myth all kinds of extra resonances.’ Michael Billington, Guardian
‘Toni Morrison’s language is superbly poetic – she’s admirable in her reckless unconcern that she will be compared to the Bard and come off the loser.’ Arts Desk
‘Not simply a new reading of Shakespeare but an original play of astonishing power… Philip Crispin’s admirable translation of the play provides the whole production with a secure textual basis… a remarkable theatrical event.’ Malcolm Bowie, TLS