Removal Men is a new play with songs written by M. J. Harding with Jay Miller and published by Oberon Books. Set in an immigration detention centre, which makes for dark and unsettling comedy, Removal Men tells the story of Mo, a detention officer, who falls in love with Didi, a Druze detainee.
In this post, Jay Miller, Founder and Artistic Director of The Yard Theatre, where the play runs Tues 8th Nov – Sat 10th Dec, explains why they have made Removal Men.
Removal Men follows a short but determined tradition at The Yard Theatre of making work which allows us to look contemporary western culture straight in the eye. And what Removal Men sees there is our inability to love in a world of wire fences. A system of inequality that has left us brutalised and confused. A crisis of compassion.
All this has been intensified by that other crisis, the one whose name has become so familiar as to be horrifyingly mundane: the migration crisis. In Removal Men, we set out to make a show which used an IRC and the broader context of the migration crisis to explore the idea of a systemic cultural ‘removal’.
This removal runs deep. It affects all of our collective decisions, creating indecision and confusion. And yet it does not seem to form part of a contemporary conversation. There are too few people examining the causes and consequences of a world where it has never been easier to communicate and yet we still cannot connect; a world where we are bombarded with images of suffering, numbing our empathy; a world in which hierarchies seem so entrenched that they render love (in whatever form that may take) almost powerless.
Removal Men may at times be uncompromising, but it is not without hope. It is at The Yard Theatre because it attempts to look at the world we find ourselves in today, a world that is divided and scared, where love is distorted, confused – and confusing. And in this attempt, we hope to create conversation and feelings that may lead to a change.
Is this naïve idealism?
But that is what is needed right now.